Generally, these are different systems that provide pretty much the same features as four-head machines, and sometimes the advertisement-writers are counting audio heads and in the new hi-fi machines, that means at least two audio heads. Both weigh in at about three pounds and measure 5 by 6 inches. Due to its size, this cassette holds less tape than a normal VHS cassette.
Just asking. All Sections. About Us. B2B Publishing. It's a shame Sony can't market their products as well as JVC. But who among us has such luck? One in a million, perhaps. I thought I would take a minute to point out how the uses its 4 video heads I have one, too. Apparently, special effects and freeze frame on the is done with only one head. There is a control on the top labeled "still adjust. The only explanation I have for this is that perhaps one head whichever head happens to line up with the current field is used to read one field, which is displayed and stored in a CCD array the kind of analog storage device also used in some video cameras to be redisplayed on the next field after a time delay which is controlled partially by the "still adjust" control.
This same 'storage' effect could be used on VHS, I suppose and indeed, the just introduced 'digital' :- VHS vcr's do just that, except that they digitize the field into a frame buffer instead of using an analog delay line. Number of VCR heads. Michael Umansky. Reply to author. Report message as abuse. Show original message. Either email addresses are anonymous for this group or you need the view member email addresses permission to view the original message. Flying erase heads made the cuts pretty much invisible as far as that was concerned.
This would account for the 8 heads. The most heads I had heard of on a drum were on the DVR 22 that had 34 heads on it. It did not use rotary transformers in this kind of design. A thing of the past now days I would say. Thanks for your answers people. I couldn't notice the diference between source and tape. According to what you guys have told me, this is due to the "extra" heads that are specifically for HiFi audio.
I got into recording audio very recently, like 2 weeks ago or so as a good mean to backup my extensive FLAC library. I don't trust HDD's, they have f--ed me up a lot of times. And I already have a little library of tapes. They look very cool and the sound as I said before has no noticeable difference with the sources. BTW I'm 26 years old, so this has nothing to do with nostalgia!
I would record at SP. The problem being with EP or LP mode is compatibility between different machines. Well some nostalgia from me. At 26 years of age, I had already partaken in several VCR courses. The first machine I ever recorded on was a Phillips N It was all new to me. The tapes were recorded for the show-jumpers at the show. The BBC who were filming the show fed me video and audio. I had to then feed this signal to an outboard modulator, to convert it to RF.
There were no video, or audio ins on this Phillips vcr, only aerial in and RF out. Happy days. Last edited by williamsunique; at AM. When Sony started making deck of that size they were only for profit as the longevity of them was not going to last. They are made and designed very cheaply. They employ switching power supplies instead of Linear and are easily damaged due to voltage spikes and other issues where the analog supplies ignored such things.
The carriage assemblies are not made with the same grade of metals. The manufacture considered them throw away. The SP and EP mode consideration.
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